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Greg Johnson, editor of Counter-Currents, posted a brief remembrance of Yukio Mishima earlier this year.

Remembering Yukio Mishima:
January 14, 1925–November 25, 1970

The Imago Theater is putting on Mishima’s play “The Black Lizard” in a new English translation. Here’s more from OregonLive.

Clips of the Japanese film can be found on YouTube:

http://www.youtube.com/watch?v=pCnqtWMUxKM

A Thanksgiving Memorial

Mishima's Death Scene

Mishima's Death Scene, Time Magazine (1970)

Note on this Thanksgiving feast day, as you carve at your turkeys and hams, that on November 25th, 1970, Yukio Mishima cut his stomach open.

Today marks the 40th anniversary of the day he embraced the Octopus of Death.

He sacrificed himself for strength and beauty, for Tradition, for art.

He opened his belly to show the world that his indomitable soul would not be conquered by life.

He asked, “Would you live and let the spirit die?”

And boldly, he answered. He spilled his guts.

Sincerity. He meant what he said. He lived what he wrote.

He took a stand against time and registered his protest against an emasculated, vanquished future.

Thank you, Mishima, for rejecting hollow, materialistic technocracy.

Thank you, Mishima, for making poetry with a splash of blood.

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Sincerity T-Shirt now available on zazzle

People have been asking me if I was going to make these available for a while. I silk-screened the original batch myself, but I don’t want to get into keeping an inventory of these or shipping them out, so I decided to upload the image to zazzle.com and make it available that way.

Please excuse the models.

The shirts are only available for men.I would suggest light heather grey or white – I can’t predict how the design will show up on darker colors. The grey/black ringer t-shirt looks like a good bet.

Reflections of the Sword

Hugo Red Rose

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Henry RollinsI’ve read this piece by Rollins a few times over the years, and it is relevant here for both the weightlifting angle and the Mishima quote. It’s inspired a lot of people. It’s Rollins’ own Sun and Steel.

Normally I wouldn’t post a complete essay a man wrote without his permission, but a quick search shows that this has been reprinted and reposted so many times that it seems as though it is OK. If Mr. Rollins objects, I’d be happy to take it down…I don’t think I want to fight him…

Complete essay after the jump:

Read the rest of this entry »

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Eikoh Hosoe

The photographer who took the famous “Ordeal by Roses” shot of Mishima will be having an exhibition in June at the Foreign Correspondent’s Club of Japan.

Covered here and here.

Eikoh Hosoe

http://www.eikoh-hosoe.jp/index.html

and on Wikipedia

http://en.wikipedia.org/wiki/Eikoh_Hosoe

Here’s an article about another exhibition that too place a few years ago.

Japan Times: EIKOH HOSOE
Photographer chronicles an alternate Japanese history


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In the Mishima story, “Patriotism,” the characters pay homage to what is translated as the “god shelf.”

“On the god shelf below the staircase, alongside the tablet from the Great Ise Shrine, were set photographs of their Imperial Majesties, and regularly every morning , before leaving for duty, the lieutenant would stand with his wife at this hallowed place and together they would bow their heads low. The offering water was renewed each morning, and the sacred sprig of sasaki was always green and fresh.  Their lives were lived beneath the solemn protection of the gods and were filled with an intense happiness which set every fiber in their bodies trembling.”

- Yukio Mishima, Patriotism

The “God Shelf” is a kamidana.

http://en.wikipedia.org/wiki/Kamidana

http://en.wikipedia.org/wiki/Ise_Shrine

Some kamidana seem to be quite elaborate, while others are simple and have very clean lines.

There are some images of a very simple antique kamidana here, and an internet search will yield a wide variety of them.

http://www.budomall.com/index.php

kamidana

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Mt fuji and cherry blossoms

“Purity, a concept that recalled flowers, the piquant mint taste of a mouthwash, a child clinging to its mother’s gentle breast, was something that joined all these directly to the concept of blood, the concept of swords cutting down through the shoulder to spray the air with blood. And to the concept of seppuku. The moment that a samurai “fell like the cherry blossoms, his blood-smeared corpse became at once like fragrant cherry blossoms. The concept of purity, then, could alter to the contrary with arbitrary swiftness. And so purity was the stuff of poetry.”

- Yukio Mishima, Runaway Horses

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I wasn’t aware that David Bowie was at one time a Yukio Mishima fan, but this blog cites the following quote from Thomas Newton Howard, accompanied by the image above.

THOMAS NEWTON SEABROOK: “Bowie now read and enthused – in typically vociferous fashion – about art, literature, and classical music; painting, previously an intermittent distraction, became a full-time hobby. Many of his own artworks – which included a giant expressionist portrait of the Japanese author and nihilist Yukio Mishima – hung from the walls of his Berlin apartment.”

Bowie's painting of Yukio Mishima